Considering we’re so far away from one another, it’s a bit odd to me that two countries with not much history in common actually share two rather prominent bonds. Mary, of course is the latest, and tragic misfortune pushed well aside, will undoubtedly find herself consort with a few pages of world history in her name. But long before her, there was a Danish architect who entered a competition to design an opera house on Sydney’s harbour.
While other would be iconic artists furnished complete specs into the competition Jørn Utzon threw in a few sketches – and won. (I dare say much to the chagrin of lots of snooty architects around the world). Jørn, the man of that moment, and as it turned out, many difficult and contentious moments, died today in his sleep. (I think that’s an excellent way to go – I must note it down for later).
I’m not overly sad for him. He lived a long life, has a nice family and, happily, has something that will, possible terrorist attacks aside, last much longer than most of us. What a legacy he leaves – his Opera House – something his grandchildren and great grandchildren and those that follow them will always be able to sprout with pride.
I’m a bit of an architecture snob. I’m not mad on many modern constructions and the only modern building I’m proud of in Australia is the Opera House. It’s daring. It’s clean lined and it suits its site spectacularly. Sadly, it’s the only one in the great land down under that’s worth mentioning. Some talk about Parliament House in Canberra but it’s interior is really, really dismal and uninspiring. The ceilings are disgraceful. To be frank, I’m not mad on the Opera House’s interior either but it’s better than Parliament House.
But I digress. Jørn Utzon’s relationship with Australia was fraught with controversy and he ended up leaving, rightly or wrongly, rather peeved. You can read the scandal here. I still can’t work out the whole drama but I do want to thank Mr Utzen profoundly for giving us such a remarkable building.
The term, ‘Danish Design’ is these days a bit of a cliché – it’s used so often but there is something special about it. Even today, cycling around, I always look at the Opera House here and the Black Diamond. They have an appealing presence, to me at least. On a clear day with no clouds and a bright blue sky, these modern buildings on the harbour truly shine. My only concern is that Greenland ice shelf melting and they’ll all (and us) be half submerged in seawater.
From the Marble Church, looking to Amalienborg Palace and then the Opera HouseIf you want to see some very interesting pictures of the design and building process of the Sydney Opera House, look at these
